(Source: richardsala)
Narrative art must be clear, but it must also be mysterious. Something should remain unsaid, something just beyond our understanding, a secret. If it’s only clear, it’s kitsch; if it’s only mysterious (a much easier path), it’s condescending and pretentious and soon monotonous.
STEPHEN SONDHEIM
In order to move up the scale of emotions and become more
attractive to the things you want in life, all you need to do is
let go of your story - the idea that having what you want will
in any way change your life for the better or for the worse.
When you recognize that you don’t need what you want, you’re
free to have it - and freedom is perhaps the ultimate goal…
“Everyone thinks that Beethoven had his string quartets completely in his head—they somehow formed in his head—and all he had to do was write them down, and they would kind of be manifest to the world. But what I think is so interesting, and what would really be a lesson that everybody should learn, is that things come out of nothing. Things evolve out of nothing. You know, that the tiniest seed in the right situation turns into the most beautiful forest. And then the most promising seed in the wrong situation turns into nothing. And I think this would be important for people to understand, because it gives people confidence in their own lives that that’s how things work.
If you walk around with the idea that there are some people who are so gifted—they have these wonderful things in their head but you’re not one of them, you’re just sort of a normal person, you could never do anything like that—then you live a different kind of life. You could have another kind of life, where you say, well, I know that things come from nothing very much, and start from unpromising beginnings. And I’m an unpromising beginning, and I could start something.”
Brian Eno
quoted in Brian Eno’s Another Green World by Geeta Dayal (New York: Continuum International Publishing Group, 2009), 31.
Be daring, take on anything. Don’t labor over little cameo works in which every word is to be perfect. Technique holds a reader from sentence to sentence, but only content will stay in his mind. JOYCE CAROL OATES
After suggesting [that young writers] look into The Writer’s Chapbook I recommend they keep a diary, at least a page a day, and faithfully, and also to get into the habit of letter writing to other writers. The advantages that come with doing this seem obvious—both are exercises which hone the communicative skills.
GEORGE PLIMPTON
“We moved today to 415 Central Park West. Enormous business of packing and unpacking my books, which I have been carrying on my back for so many years. Lord, how I would like to get free of all these things sometime. I date my maturity from the day I realized there were books I could get along without.”